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Hans Memling
Netherlandish Northern Renaissance Painter, ca.1435-1494
Born in Seligenstadt, near Frankfurt in the Middle Rhein region, it is believed that Memling served his apprenticeship at Mainz or Cologne, and later worked in the Netherlands under Rogier van der Weyden (c. 1455?C1460). He then went to Bruges around 1465.
There is an apocryphical story that he was a wounded at the Battle of Nancy, sheltered and cured by the Hospitallers at Bruges, and that to show his gratitude he refused payment for a picture he had painted for them. Memling did indeed paint for the Hospitallers, but he painted several pictures for them, in 1479 and 1480, and it is likely that he was known to his patrons of St John, prior to the Battle of Nancy.
Memling is connected with military operations only in a distant sense. His name appears on a list of subscribers to the loan which was raised by Maximilian I of Austria, to defend against hostilities towards France in 1480. In 1477, when he was incorrectly claimed to have been killed, he was under contract to create an altarpiece for the gild-chapel of the booksellers of Bruges. This altarpiece, under the name of the Seven Griefs of Mary, is now in the Gallery of Turin. It is one of the fine creations of his more mature period. It is not inferior in any way to those of 1479 in the hospital of St. John, which for their part are hardly less interesting as illustrative of the master's power than The Last Judgment which can be found since the 1470s in the St. Mary's Church, Gda??sk. Critical opinion has been unanimous in assigning this altarpiece to Memling. This affirms that Memling was a resident and a skilled artist at Bruges in 1473; for the Last Judgment was undoubtedly painted and sold to a merchant at Bruges, who shipped it there on board of a vessel bound to the Mediterranean, which was captured by Danzig privateer Paul Beneke in that very year. This purchase of his pictures by an agent of the Medici demonstrates that he had a considerable reputation. Related Paintings of Hans Memling :. | Scenes from the Passion of Christ | Lamentation | Madonna Enthroned with Child and Two Angels | Triptych | Triptych of the Rest on the Flight into Egypt. | Related Artists: PENCZ, GeorgGerman Northern Renaissance Painter, ca.1500-1550
German painter, draughtsman and engraver. He arrived in Nuremberg in 1523 and entered Albrecht D?rer's workshop. On 12 January 1525 he was imprisoned with the brothers Barthel Beham and Sebald Beham and charged with disseminating the radical views of Thomas M?ntzer (c. 1490-1525) concerning religion and government. The council banished them from Nuremberg, but, after an appeal and intercession by Graf Albrecht von Mansfeld, Pencz was sent to nearby Windsheim, and on 16 November all three were pardoned, though placed under orders regarding their future behaviour. robert john thorntonRobert John Thornton (1768-1837) was an English physician and botanical writer, noted for "A New Illustration of the Sexual System of Carolus Von Linnæus" (1797-1807) and "The British Flora" of 1812. He was the son of Bonnell Thornton and studied at Trinity College, Cambridge. Inspired by Thomas Martyn's lectures on botany and the work of Linnaeus he switched from the church to medicine. He worked at Guy's Hospital in London, where he later lectured in medical botany. After spending some time abroad, he settled and practised in London. Robert inherited the family fortune after the death of both his brother and mother.
The most ambitious part of the "New Illustration of the Sexual System of Linnæus" was Part III, the "Temple of Flora" (1799-1807). The first plates were engraved by Thomas Medland (1755-1833) in May 1798 from paintings by Philip Reinagle. Between 1798 and 1807 they produced a total of thirty-three coloured plates, engraved in aquatint, stipple and line. When he planned the project, Thornton had decided to publish seventy folio-size plates. Lack of interest from the general public spelled disaster for the scheme, and the holding of a lottery could not save it from financial ruin, neither did a page in the work dedicated to the spouse of George III, Queen Charlotte, patroness of botany and the fine arts??Thornton died in destitution. Trigoulet EugeneFrench ,1867-Berck-sur-Mer 1910
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